He has published widely on other aspects of 1930s literature and culture, such as on the censorship of 1930s film societies, and on government surveillance of radical literary magazines during the decade. His most recent book was British Writers and MI5 Surveillance, 1930–1960 (Cambridge, 2013). james smith is a Reader in English Studies at Durham University.
Through this, the reader will gain new insight into 1930s literary history, and an understanding of many of the critical debates that have marked the study of this unique literary era. Across the chapters, sustained attention is given to writers of growing scholarly interest, to pivotal authors of the period, such as Auden, Orwell, and Woolf, to the development of key literary forms and themes, and to the relationship between this literature and the decade’s pressing social and political contexts. Yet what is contained under the rubric of 1930s writing has been the subject of competing claims, and therefore this Companion offers the reader an incisive survey covering the decade’s literature and its status in critical debates. THE CAMBRIDGE COMPANION TO BR ITIS H L I T E R A T U R E O F T H E 1 9 3 0s The 1930s is frequently seen as a unique moment in British literary history, a decade where writing was shaped by an intense series of political events, aesthetic debates, and emerging literary networks. Chapter 12 - Remembering and Imagining War.
Chapter 7 - Communism and the Working Class.
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